Othello And His Tragic Flaw Essay Research free essay sample

Othello And His Tragic Flaw Essay, Research Paper Calamities frequently focus on a tragic hero who has a defect that finally leads to his ruin. That defect is normally referred to as a tragic defect that is inborn to the individual and can mirror his background. In Aristotle # 8217 ; s Poeticss, he discusses the theory of calamity and what standard is indispensable in an ideal calamity. Harmonizing to Aristotle, the tragic defect is the most of import portion of the hero and the events that occur in the work is a contemplation of that defect. In William Shakespeare # 8217 ; s Othello, Othello is an first-class illustration of an Aristotelean tragic hero. His credulousness and green-eyed monster are the chief ground of his ruin. Othello trades with love doomed because of credulousness and green-eyed monster. Aristotle # 8217 ; s theory of calamity, found in the Poetics, trades with the features of dramas that make them a true calamity, and features are besides indispensable in giving dramas their true definition of a calamity. We will write a custom essay sample on Othello And His Tragic Flaw Essay Research or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Harmonizing to Aristotle, the life and psyche of calamity is secret plan. Incidents in the secret plan have the best consequence if they occur out of the blue, and in effect of one another. A great calamity grips the audience with the secret plan. Aristotle besides states that the sense of the inevitable must be present in calamity. The tragic hero is besides another of import factor in an Aristotelean calamity. The chief character must be baronial, have a higher stature than most work forces, and have better qualities than secondary characters. However, the chief character must besides exhibit his defects. The most of import portion of an Aristotelean tragic hero is the tragic defect. He must hold that defect throughout his life and it will play the primary function in his ruin, while reflecting his background. Another portion of the chief character is that he is destroyed by himself, non by others, bad fortune, or corruption. These are the standards necessary to be classified as a ideal calamity and Othello meets that criteria. The chief character, Othello, is a classical illustration of a tragic hero, and he has the basic elements that match him up to be a true hero defined by Aristotle. Othello, being a soldier all his life, is seen as a really honest man.. His rubric entirely, governor-general, presents an air of aristocracy, assurance, and strength. The rubric defines person who is held in enormously high regard by the people of Venice. During Act 1, Scene 3, the Duke and a few Senators are discoursing issues around a tabular array when Othello enters the room. It # 8217 ; s clear that Othello is held in high regard when, as he enters, one of the senators provinces Here comes Brabantio and the valorous Moor ( 47 ) . Othello # 8217 ; s assurance in himself, another of his positive properties, is clearly portrayed as he defends himself and his recent matrimony to Desdemona, the girl of the Venetian Senator Barbantio. In his defence, he associates himself with one of the great 1s of the universe. He besides demonstrates assurance in himself and his actions when Brabantio, Desdemona # 8217 ; s outraged male parent, accuses the Moor of witchery. His stature, that of a tall, dark, African Moor, combined with his personal magnetic attraction, help him in deriving the regard and commitment of the Venetian people and senators. The regard of the people is brought Forth in Act 1, Scene 2, when Montano, the Governor of Cyprus, is expecting the reaching of Othello # 8217 ; s ship, following a strong storm at sea, and comments he has # 8220 ; served him # 8221 ; and the adult male [ Othello ] commands/ Like a full soldier # 8221 ; ( 35-36 ) . He besides refers to him as the # 8220 ; weather Othello # 8221 ; ( 38 ) . Othello is besides held in regard by his work forces, the soldiers, and throughout the drama is referred to as a # 8220 ; captain, # 8221 ; a term Britnee Jade 2 carried over from Roman times which depicts a commanding officer of a company of work forces, or a so called # 8220 ; soldiers soldier # 8221 ; . He is a proved leader of work forces and known for his military cognition and accomplishments. His soldierlike ways are a consequence of functioning a military capacity since the early age of seven. Dignity, bravery, a strong belief in faith, self control and sound judgement are a few of Othello # 8217 ; s other positive properties portrayed in the drama. His assurance in himself and his bravery are clearly apparent when Othello makes a base before Brabantio, Roderigo and Iago, when following the drawing of their blades, Othello, as opposed to retreating in the face of danger twits # 8220 ; Keep up your bright blades, for the dew will corrode them # 8221 ; ( 59-60 ) . Shakespeare continues to portray Othello as a well- respected Lord throughout his drama, from get downing to stop. Shakespeare besides shows a soft side when he displays Othello # 8217 ; s love and assurance in his married woman Desdemona. In Act 1 Scene 3, Othello entrusts his married woman to the attention of another gentleman and his married woman as he must travel off to war in Cyprus. The entrusted adult male and his married woman go on to be his good friend Iago and his married woman Emilia. Othello displays his trust and assurance in both his married woman and his officer [ Iago ] when he comments to Iago # 8220 ; to his [ Iago s ] conveyance I assign my married woman # 8221 ; ( 286 ) . His trustworthiness make him a greatly respected individual. Through aristocracy, regard, love, and trust, Othello is considered to be an honest and applaudable adult male. However, Othello # 8217 ; s background was unsophisticated, and would frequently impact his attitude. Othello is a individual who is guiltless and base in nature. He was influenced by the manner his life was traveling on. Othello # 8217 ; s statement, His artlessness and deficiency of edification is revealed in this statement. # 8220 ; Perdition catch my psyche but I do love thee. And when I love thee non, pandemonium is come again. # 8221 ; ( move 3, Sc. 3, line 100 ) , showed that he felt his life was merely in order if he is loved. The people around Othello besides knew of his attitude. Iago was really speedy to see this. In his first monologue, Iago said # 8220 ; the Moor is of a free and unfastened nature that thinks work forces honest that but seem to be so. # 8221 ; ( 1,3,442 ) Iago knew of Othello # 8217 ; s failing. Othello # 8217 ; s artlessness and sordidness makes him susceptible to being undermined by people. Iago besides reveals his program to utilize the Moor # 8217 ; s credulousness against him. Othello is clearly a individual who believes visual aspects versus world. When Othello was told about an matter between Desdemona and Cassio, he started to go covetous. Bing that individual who believes visual aspects, he wanted optic cogent evidence of Desdemona # 8217 ; s infidelity. Even a superficial piece of grounds would hold been sufficient. In his statement, # 8220 ; Give me a life ground she is disloyal. # 8221 ; ( 3,3,446 ) , Othello revealed that he would believe in anything he saw. This is a clear illustration of his credulousness and that visual aspects can gull him. Othel lo’s words is the implicit in statement that determined his feelings. The tragic defect of credulousness would take his feelings to do bad judgements. All of his features made him a clear Aristotelean tragic hero. Othello # 8217 ; s tragic defect of credulousness is exposed throughout the class of the drama. He besides developed a green-eyed monster that was caused by his gullibility. Iago is the accelerator of Othello # 8217 ; s acquired green-eyed monster. His scheming was inflicted upon the unsuspicious Othello throughout the drama. Iago # 8217 ; s immorality was structured on utilizing falsenesss and innuendos to play on Othello # 8217 ; s credulousness. Iago appeared as an honest homo being, Britnee Jade 3 but in world he was an evil individual. Iago created a trap that was easy bought in to by Othello. Iago knows Othello # 8217 ; s defects and takes advantage of them. Othello # 8217 ; s credulousness is really apparent to Iago, and his free and unfastened nature makes him vulnerable to being tricked by Iago. Iago # 8217 ; s intelligence read Othello # 8217 ; s sordidness. When the initial rumour of an matter between Desdemona and Cassio was implanted in Othello # 8217 ; s caput, Iago built up his trust with the Moor by stating, # 8220 ; O, beware, my Godhead of green-eyed monster! It is the jealous monster which doth mock the meat it feeds on. # 8221 ; ( 3,3,195 ) Iago, being a adult male of accomplishments and fast ones, bewares Othello of the dangers of green-eyed monster # 8230 ; the same green-eyed monster being instilled in Othello by Iago. He intentionally plays off of Othello # 8217 ; s credulousness throughout the drama. Othello # 8217 ; s credulousness led him to believe prevarications and innuendos by Iago. Othello is overwhelmed by all of the innuendos and prevarications. Othello # 8217 ; s credulousness, his tragic defect, is the underlying ground of his ruin. Othello finally becomes overtaken with all of the green-eyed monster that is in his head. The conflict between love and hatred traveling on in Othello # 8217 ; s head is clearly seen in the statement, # 8220 ; Farewell the tranquil head! Farewell content! Farewell the plumy military personnels and the large wars that makes aspiration virtuousness! O Farewell! # 8221 ; ( 3,3,400 ) Othello # 8217 ; s statement besides relates to his statement that his life is good with love. When Othello lost his love, his life turned to chaos. Othello is ferocious at all the # 8220 ; grounds # 8221 ; of Desdemona # 8217 ; s matter, and considers the cogent evidence sufficient because it is from Iago. Othello so plans to slay Desdemona and Cassio. At that point, Iago realized that his program worked absolutely and that he had Othello in his clasps. Iago # 8217 ; s statement, # 8220 ; Work on, my medicine work! Thy credulous saps are caught, and many worthy and chaste Danes even therefore, All guiltless, met reproach. # 8221 ; ( 4,1,53 ) shows that Othello is fleeceable. He clearly called Othello a # 8220 ; credulous fool. # 8221 ; Iago remarks on the people he caught and the easiness of hocus-pocus. Othello is clearly manipulated by a individual who recognized his natural defects and used them to his advantage. Othello is made into a sap by Iago because Iago had the thrust and mental capacity to utilize person # 8217 ; s mind to his benefit. Shakespeare depicted Othello as one of the most loving individuals. He lived for the love and attention of a individual. The manner that Othello was turned to hatred is dry. The overmastering psychotic belief that he suffers is due to his beliefs of an matter. His cardinal qualities lead him to easy believe anything that is presented to him. Othello # 8217 ; s false beliefs drives him into utmost choler and makes him plot to kill his married woman and lieutenant. The concluding phases of the drama reveals the true credulousness of Othello to the other characters. Iago agrees to assist kill Desdemona and Cassio. When Othello eventually went through with his program, the deceasing Desdemona reassures her religion to him. Othello believes Iago and his ain false tax write-offs alternatively of his ain married woman. Desdemona did non recognize Othello # 8217 ; s defects. In her statement, # 8220 ; And but my baronial Moor is true of head and made of no such sordidness as covetous 1s are, it were plenty to set them to ill thinking. # 8221 ; ( 3,4,25 ) she judged Othello opposite to what he truly was. She did non surmise that Othello would surmise her for an matter. In world, Othello is a fleeceable individual who is drawn into green-eyed monster and falsity by Iago. Othello accomplished his program of killing his married woman and destructing a matrimony that had no ground to be lacerate apart. Desdemona was the victim of a Britnee Jade 4 secret plan by a fleeceable adult male driven into fury because of prevarications. When Emilia confronted Othello, he admits to killing his married woman but said that she was untrue to him. Emilia repeatedly told Othello Desdemona # 8217 ; s unfaithfulness was non true. He responds to Emilia by stating, # 8220 ; Ay, # 8217 ; twas he that told me on her first. An honorable adult male he is, and hates the sludge that sticks on foul deeds. # 8221 ; ( 5,2,179 ) Othello # 8217 ; s credulousness is besides exhibited in this statement. He believes Iago and his prevarications because he thinks that Iago is honest. Othello is drawn in by the visual aspect of Iago, and Iago # 8217 ; s intriguing is so powerful that Othello praises him for his # 8220 ; honesty. # 8221 ; Othello and Iago are eventually caught and their secret plan is revealed. Othello so finds out that Iago did non travel through with his vow to kill Cassio. Othello told the functionaries his grounds for perpetrating slaying and that Iago told him of an matter. Iago # 8217 ; s response is, # 8220 ; Demand me nil. What you know, you know. From this clip Forth, I neer will talk a word. # 8221 ; ( 5,2,335 ) Iago Tells Othello and the others that he didn # 8217 ; t state Othello about an matter. He merely merely made innuendos and suggestions about one. Othello truly does non know of an matter between Desdemona and Cassio, but his credulousness leads him to be overtaken with visual aspects. Othello does non do any existent effort to happen out the truth. He relies on Iago to supply a image of what he thought happened. Because of Othello # 8217 ; s failure to seek the truth, his inevitable ruin becomes ocular when he kills himself. Othello # 8217 ; s tragic defect is being fleeceable. His background of sordidness makes him a weak minded individual. Iago is an evil adult male who wanted to see the ruin of Othello. He recognizes Othello # 8217 ; s defect and utilizations it to his benefit. Iago # 8217 ; s strategy consists of images and visual aspects of an matter, but non grounds of one. Othello # 8217 ; s stature, and downfall do him a true tragic hero. His tragic defect, credulousness, the shaping standards of a tragic hero, makes Othello a adult male that he neer thought he would be. Othello realizes that he became a individual filled with fury and hatred, and merely wants to decide the pandemonium in his life by seting an terminal to the matter that he believes is traveling on. All the construction # 8217 ; s of Othello # 8217 ; s character makes him a premier illustration for a Aristotelean tragic hero. 33e